With so many SSL Bus Compressor emulations out there ranging from free to hundreds of dollars (not counting hardware expenses in the case of UAD), I felt it was time to see how they compare sound-wise.
I hope it helps. Enjoy!
 

English:

Portuguese:

Alright,
Although I missed posting the individual singles when they came out, here is the post for the release of the full EP we started recording over 3 years ago!
I'm happy it's out there in the world!
I hope you all enjoy it!
 

Canadian band The Superstitions has a new single out (actually it came out about a month ago, oops) and it's called "What's Left Of Me".
You can read more about the recordings here
Enjoy!
 

I had the pleasure to mix the music of "Journey Across Raava"'s trailer
Enjoy!
PS.: You can play the web puzzle game here
 

The Helios 69 is one of my favorite UAD emulations (I've been using it since their “Legacy” Helios strip) and a while ago I bought Acustica Audio's take on the Helios 69, called Viridian.

Then I started using Analog Obsession's HLE-SE free take on the same EQ and a couple of days ago, Lindell Audio put out their 69 Channel Strip which I was really looking forward to trying.

The EQ curves do not match between those 4 plugins, some of them a VERY different, some of them a pretty close but I am certain you will hear the differences between them, even going through Youtube's audio compression.

Let me know your thoughts in the video comments!

I had the pleasure to mix and master 4 songs for Brazilian guitar player Diego Pires's first solo EP.
The album was recorded mostly at his home studio and has no "mic'd" instruments.
Guitars went through either a Neural DSP Quad Cortex or Mercuriall's "AmpBox Reaxis, drums were programmed and are a blend of several different libraries and the bass was also recorded through a Quad Cortex.
Enjoy it!

Another release mixed and mastered by yours truly.

As a departure from his comfort zone, this album was an adventurous project for the artist, self-recorded at home and with the help of Producer Alex Pochat.

Enjoy

You can listen to For Honor's original soundtrack on most digital platforms

I've been working with composer Luc St-Pierre for many years now and it feels great to finally have some of the music I've mixed for him available to be heard outside of the game!

By the way, the game music was mastered by me but the OST release was mastered by Richard Addison at Trillium  Sound Mastering

Enjoy!

This is the new single for Brazilian songwriter Elder Effe that I had the pleasure to mix in the tutorial video I posted a couple of days ago.

A while ago I mixed a song for the "Por Dentro Do Som" project where producers/engineers/musicians share their knowledge about the process of recording a song from start to finish.
The video is in Portuguese, feel free to watch it here.

A couple of months ago I had the pleasure to mix the live performance of Brazilian Death Metal icon Headhunter D.C. at Dope Smoke Festival (online)

Although my mix is not the one found in the Festival's Youtube channel, the band was able to update the mix for one song that was released for Roadie Crew's Online Festival.

I hope you enjoy it!

In this video, Iggor tells us more about the conception of "Refuse/Resist"
Drum performance mixed by yours truly, using Universal Audio LUNA
Enjoy

In the fifth episode, I'm showing the Universal Audio's LUNA session where I re-mixed the 2006 track "Não Ser Mais O Mesmo" from Brazilian band Macário.

In this episode, I'm showing Universal Audio's LUNA session where I re-mixed the 2004/2005 track "Hide Out" from Brazilian band Cobalto.

I used some free time in between projects to mix Jinjer's "On The Top" using Universal Audio LUNA, just to get used to the software.
Check out how differently we can interpret a song's mix based on the same raw material.

Another song for you

A new song for the project  

Click on the title to read about the signal chain for the recordings:

Another song for your entertainment!

A new song for the project 

Click on the title to read about the signal chain for the recordings:

Switching things around a little bit for this one!

This song had a different setup:

Another one released in June 2020

A cover of Alice In Chain's "Would"
 

Drum mics were just cheap Shure PG mics   

- PG52 on the kick   
- PG56 on the snare and toms   
- Schoeps clones as overheads   

All mics went into a Roland-R88 audio recorder, no computer involved, one-take type of deal. 

Enjoy

This one came out in June 2020! 

Drum mics were just cheap Shure PG mics  

- PG52 on the kick  
- PG56 on the snare and toms  
- Schoeps clones as overheads  

All mics went into a Roland-R88 audio recorder, no computer involved, one-take type of deal. 

Enjoy!

There you go!

Drum mics were just cheap Shure PG mics  

- PG52 on the kick  
- PG56 on the snare and toms  
- Schoeps clones as overheads  

All mics went into a Roland-R88 audio recorder, no computer involved, one-take type of deal. 

Enjoy!

Another one from May 2020!

Drum mics were just cheap Shure PG mics 

- PG52 on the kick 
- PG56 on the snare and toms 
- Schoeps clones as overheads 

All mics went into a Roland-R88 audio recorder, no computer involved, one-take type of deal.

Enjoy!

This came out also in May: 

It's a cover of Helmet's "Exactly What You Wanted", one of my favourite songs of one of my favourite bands.

Drum mics were just cheap Shure PG mics 
- PG52 on the kick 
- PG56 on the snare and toms 
- Schoeps clones as overheads 

All mics went into a Roland-R88 audio recorder, no computer involved in the recording. It's a one-take type of deal 

Enjoy!